I didn't mean that dirtily, for shame! Get your mind out of the gutter. ;)
What I mean is that I think I've finally accepted that each of my stories doesn't start off fast enough. I've known for some time that I tend to write a lot of exposition in the start, believing that the set up should include pertinent historical details - historical to the characters, not actual history. But it tends to slow the pace down, something I've long ignored and assumed people would overlook due to my exceptional writing (I know, I'm laughing too).
I'm fighting my own nature here, trying to write action interspersed with the internal drama first, then following with the back story. I even wrote a new first chapter last night. Over 3000 words of drama and action...where the hero and heroine have yet to meet. Not good. In fact, if I kept my original script, they would now not meet until the third chapter - a big, huge, glaring no no in the romance industry.
I've read it time and again: have your hero and heroine meet as soon as possible. There are very few editors and agents who will hang on until chapter two or three for the life altering meet, even if the writing is that good.
So now I'm contemplating a brand new chapter one while preserving the rest of the piece. I seem to be working backwards, here, where I should be working forward. I had already mind-plotted (because I'm a pantser not a plotter - much to my own detriment) chapters to insert between chapters, but redoing the beginning was not on my original agenda.
As a result, I'm revising my original "submit MS by end of the month" to "submit partial by end of month". I think I'm breathing a sigh of relief on the inside. I have every intention of completing (after all, what if they like it? I want it ready to send off), while temporarily concentrating on the first three chapters.
I've already decided to target Silhouette Nocturne, but am keeping Dorchester and various epubs in mind, you know, "just in cases".
~Hetal
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